As an interdisciplinary study in comparative literature, this paper is to address the linkage between literature and painting in Safavid era. Integrating Remak’s theory of Comparative Literature and Art, this study is to disclose how the same concept can be represented
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As an interdisciplinary study in comparative literature, this paper is to address the linkage between literature and painting in Safavid era. Integrating Remak’s theory of Comparative Literature and Art, this study is to disclose how the same concept can be represented in different forms in poetry and painting in that era. Findings show that poetries and paintings in the investigated era are not in the perpetuation of previously dominant styles. Rather, poetry and painting in this era has their own special paradigm. In fact, Safavid poets and painters enjoy a set of common principles which cannot be compared with the previous eras. Furthermore, secularism is one main presupposition which make the building blocks of thought and art in the era. Indeed, the poets and painters in the era have created their own work in various forms such as: realism, partialism (micro reading), entertainment-related reading, using surrounding elements, etc. which all are the main components of secularism.
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